![]() The video finds Carrie strutting through a digitized tailgating scene while delivering her powerhouse vocals on the theme song, “Waiting All Day for Sunday Night,” set to the tune of Joan Jett‘s “I Hate Myself For Loving You.” ![]() The outdoor concert environment, all video elements, lasers, pyro and most of the audience was all added in post by Rodeo FX, a Montreal visual effects company, under the supervision of our creative director, Haley Geffen.Carrie Underwood is ready for Sunday night with a flashy new Sunday Night Footballintro. We had a really strong team, and as we did last year, the performance part of the intro was shot in a soundstage with black curtains covering the stage walls. He adds, "Hats off to Craig Burross who orchestrated a great deal with Pilar at Grace Audio in Temecula, CA. The wireless control possibilities are very useful on big movie sets as well.Ī combination of lighting vendors provided the various pieces of Ben's design. "I truly believe that the Hog 4 is the ultimate control solution when it comes to handling several universes of DMX -whether it's only dimmers or complex multi parameter fixtures. "I've been racing for the Whole Hog team for many years," says Benoit, an unabashed Formula 1 fan. "Both the C1's and W1's look really great on camera and are very useful tools, and yes, I definitely used the macros on that one, because my programming time was fairly short."īenoit programmed the Intro's lighting cues on a Hog 4 desk, which has long been his preferred console format, first in the touring world, and more recently through his film and television work. Richard gives high marks to the fixture's output and color rendering capabilities, as well as the macro programming functions. I was very impressed by the originality of the fixture and knew that I would use it on the SNF Intro right away." A few weeks before the SHAPESHIFTER was unveiled at this year's Frankfurt Musik Messe, Richard shared a video of his new creation with me. "Having been a part of the High End family in the past, I've kept in touch with Richard Belliveau and others at HES. Having worked as a lighting programmer for High End Systems in the 1990s, Richards has unique insight into the creative process at the company. On the floor, we used the same arrangement, but split them left and right on the sides of the stage. In the air, we had a 60' straight truss with six groups of three SHAPESHIFTERs arranged in a C1-W1-C1 configuration. Benoit comments, "We went back and forth on the SHAPESHIFTER fixture count, because I really wanted to feature the C1's prominently during the regular season Intro, and push the W1's for the special Intro that will air before a big game later in the season. Richard used 24 SHAPESHIFTER C1's and 12 SHAPESHIFTER W1's in his design, spreading out the fixtures for max impact and eye candy on camera. ![]() ![]() Lighting Designer Benoit Richard was also back on the creative team he employed High End Systems' SHAPESHIFTERs and Hog 4 lighting control to create looks that continue to wow viewers with its concert atmosphere. Directed by Tripp Dixon with production design by Evan Rohde, the video intro for the network's top television show captures Underwood's performance of 'Waiting All Day For Sunday Night' to the tune of Joan Jett's classic 'I Hate Myself For Loving You', irrevocably linking the sport with the spirit of rock n' roll. This season's opening introduction for NBC's Sunday Night Football once again starred Carrie Underwood in an extravaganza fans are calling the best SNF intro yet.
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